THE LATEST

14 April 2015

This time I’m gonna get it right


Guggenheim

It’s an indescribable honor for me to join my inspiring colleagues Etienne Charles, Steve Lehman, and George Lewis (and many others besides, in many disciplines) as a 2015 Guggenheim Fellow.

It is also my great privilege to be the recipient of a 2015 Doris Duke Artist Award alongside such exceptional and influential musicians: Steve ColemanMuhal Richard Abrams, Ambrose Akinmusire, Okkyung Lee, and Yosvany Terry.

I am grateful beyond measure — especially to all of my comrades in the Society — and will strive to make the most of this exceptional opportunity.


03 April 2015

Ten Years Gone, Holdin’ On, Ten Years Gone


 

DJASS-CBGB-2005

Digital photography tech has improved somewhat since 2005.

SECRET SOCIETY 10th ANNIVERSARY CELEBRATION
+Nadje Noordhuis Quintet
Sunday, 10 May 2015
The Bell House
149 7th St., Brooklyn, New York 11215 (map)
8:30 PM (doors 7:30 PM)
Tickets: $16 in advance/$20 day of show

Comrades — can it be true? Could ten years have passed since my co-conspirators and I first unveiled ourselves to the world? Was it a full decade heretofore that we assembled, deep in the bowels of the CBGB Lounge, to present our inaugural evening of Musical Intrigue and Euphonious Spectacle?

Many things have come to pass since then, things far beyond my wildest imaginings. On that first night at CB’s, had you offered to wager me that the Society would still be performing ten years hence, I would have laughed in your face. In truth, I did not expect the ensemble to last a single year. The notion that a new jazz bigband performing entirely original compositions could be even remotely sustainable in a postmillennial musical economy struck me as utterly ludicrous. And yet… here we are.

I looked back to what I wrote when I announced that first performance — not quite Ninety-Five Theses nailed to the church door, but still, a statement of purpose for our fledgling Society:

A lot of people think that bigbands are dinosaurs. But who doesn’t love dinosaurs? Sure, they can be big and loud and fierce — your canonical giant lizard — and that’s great. But there are small, swift dinosaurs, too, and birdlike flying dinosaurs. And contrary to what everyone says, I don’t believe that bigbands are doomed to extinction, either — not when they have so much untapped evolutionary potential. I want Secret Society to defy everyone’s expectations of what a bigband can do.

Ten years later, our mission remains the same.

Join us as we celebrate on Sunday, May 10th at The Bell House in Gowanus, Brooklyn. There will be Secret Society music old and new, including a sneak preview of music from our upcoming multimedia project, Real Enemies (of which more later). The opening set comes courtesy of longtime co-conspirator Nadje Nordhuis and her sublime quintet. Advance tickets may be had here.

CO-CONSPIRATORS
WINDS
Dave Pietro
Rob Wilkerson
Sam Sadigursky
Quinsin Nachoff
Carl Maraghi

TRUMPETS
Seneca Black
Jonathan Powell
David Smith
Nadje Noordhuis
Ingrid Jensen

TROMBONES
Mike Fahie
Ryan Keberle
Jacob Garchik
Jennifer Wharton

RHYTHM
Sebastian Noelle, guitar
Adam Birnbaum, piano
Matt Clohesy, bass
Jon Wikan, drums


05 March 2015

Hello Brooklyn, what’s your story?


JPEG-0122

It has been a long time coming, but the complete score to Brooklyn Babylon — all 277 pages — is now available for you to view or download from the Sheet Music section of this website. As with all of my published scores, I’m offering it without charge.

For ensembles interested in performing the work, parts for the individual chapters will be available for purchase soon. (Parts for Chapter 1, “The Neighborhood,” are already available.)

If, after looking at the score, you would like to ask me any questions about it, please go ahead and leave a comment below this post and I’ll do my best to respond.

My own working score for the original performances of Brooklyn Babylon was, I’m not ashamed to admit, full of collisions and poor spacing and typos and all manner of travesties that would never be remotely acceptable in professionally published music. When I’m gearing up to perform new work with Secret Society, my first priority is always decent parts for the musicians: they need to be clear, legible, attractive, and sensibly laid out with viable page turns. Since I am the conductor, I don’t care if my own score is a total mess, because I am the only one who has to look at it. I usually have other priorities — like, say, rehearsing the band. Proofing, editing, and consolidating the score, then cleaning it up for publication is a big job — in the case of this piece, a dauntingly massive undertaking, actually — which is why it hasn’t been available before now.

I’m very happy to be able offer the score to Brooklyn Babylon for free, as I always appreciate it when other composers make their scores accessible. That said, if having this score helps you out and you’d like to show your appreciation, you can always make a tax-deductible contribution to Secret Society here.


20 January 2015

Frankfurt Special


Medieval-Timberframe-houses-and-Lady-Justice-in-Frankfurt-Germany

The Frankfurt Radio Big Band (AKA the hr-Bigband, your source for guaranteed original 100% Hessischer Rundfunk) was the first European radio band I ever worked with — our first project together was in April 2009, before Infernal Machines was even out. The group has had a long and fruitful association with their current chief conductor, Jim McNeely — always nice to work with a band accustomed to navigating all those thorny McNeely charts! — and it’s a genuine pleasure to be making music with them once again.

We are currently deep in the throes of rehearsal, and I’ll be leading the band in three (3!) concerts of my music next week:

January 27, 2015 @ Musikhochschule Frankfurt
January 29, 2015 @ Kulturforum Wiesbaden
January 30, 2015 @ Kulturforum Wiesbaden


07 November 2014

Secret Society @ SubCulture — 14 November 2014


SCMain

Comrades: after making our SubCulture debut during Winter Jazzfest earlier this year, we return, this time aided and abetted by our co-conspirator Sam Sadigursky’s Follow The Stick. This show will be the New York premiere of “Tensile Curves,” which we unveiled at Newport this summer. We hope you’ll join us at this beautiful, forward-looking venue: SubCulture is an exciting and important addition to the scene.

Tickets ($20 in advance) may be procured here.

CO-CONSPIRATORS
WINDS
Aaron Irwin
Rob Wilkerson
Sam Sadigursky
Quinsin Nachoff
Carl Maraghi

TRUMPETS
Bryan Davis
Nathan Eklund
Matt Holman
Josh Deutsch
Alex Norris

TROMBONES
Mike Fahie
Darius Christian Jones
Jacob Garchik
Jennifer Wharton

RHTYHM
Sebastian Noelle, guitar
Adam Birnbaum, piano
Matt Clohesy, bass
Jon Wikan, drums